Katie Eary revealed her SS18 collaborated collection with BOY London, spliffy and Pretty Green. Bonding over their history in British street fashion the iconic brands were able to pull together an amazing collection. Including items as far as sexy tropical printed swimwear and bikini bottom jeans to neon waterproof jackets, with round headpieces to add to the bug-like theme. This collection was something not to be missed.
A combination of silk pyjamas, mesh hoodies, washed denim, erotic tie up bikinis and heavily influenced BOY London streetwear apparel. Mixed with Eary’s distinctive prints in the form of creepy crawlies really added a beautiful contrast to this collaboration. This season’s prints included beetles, dragonflies and electric blue butterflies, inspired by Sci-Fi, High-Vis and Day-Glo this collection is a universe of Eary’s imagination.
With long Rizla invites offered to the Katie Eary x Boy London show guests, pink and green braided hair extensions and a great soundtrack choice the show was an incredible sight to see.
Rohmir’s Vienne Imperiale collection was said to be a celebration of the opera glamour of the eternal imperial style of the beautiful city. Rohmir are known for their collections being a plethora of feminine, eloquent dresses and tailored suits. Vienne Imperiale, lived up to its upper class name with an opulent line up that made expert use of texture and varied fabrics. Which is no surprise, considering that founder and designer Olga Roh hails from Russian nobility. Both a former model and academic, with a PhD from the University of Bern, she has brains as well as beauty, combining a love of glamour with an acute business sense.
Italian influences are a key and running concept throughout this collection. The colour palette used this season, was as regal as the silhouettes, emerald greens, ruby reds, black and gold. By using the softest faux fur, lace and velvet detailed with statement brooches and bold necklaces. Dresses appeared in elegant oxblood and bottle green but it was shades of black with regal gold detail that dominated. Lace trousers matched with sheer and gold tipped velvet capes delivered the drama, European style.
The models hair was plaited then pinned into a traditional style, embellished with pearls, then intricately twisted into a regal up-do, again highlighting the almost princess-esque nature of the collection and the plait adorned their heads almost like a tiara, while the make-up was kept rather neutral, with bold brows with a pink stained lip and dark, smoky eyes and false lashes. The epitome of Italian glamour.
Backstage ahead of the show, the buzz was euphoric, there’s so much stigma with models looking moody and being underweight, but these models were smiling, laughing and joking, it was a delightful atmosphere to be a part of, and they all looked truly radiant and of a healthy weight.
Olga herself was beaming and so full of energy and very down to earth, even seemingly looking very relaxed. The catwalk was flawless and the pieces dripped elegance and sophistication. The live opera performance added an air of emotive grace to the show, and Olga’s daughter closed the show alongside the Opera, which received a well-deserved standing ovation for the collection and the performance alike.
The show entitled ‘Vienne Imperiale’ boasted ideas of grandeur from the outset and it was safe to say, that the show did not disappoint. The slow and sultry affair was as grand and as exquisite as promised from the title. Models slowly glided down the catwalk, rather than walk, to the soothing rhythm of the orchestral music and live opera singer. This is Vienna no compromises made.
What else would we expect? Pam Hogg’s AW16 collection pushed the boundaries even more - yes, it was possible - with a sexualised storm of attitude at Freemasons Hall during London Fashion Week.
Sky high platforms, of course, accompanied models clad in skin tight PVC catsuits as they strutted down the catwalk, covered in weapon like studs and spikes. Stars made their cameo once more, and splattered paint prints reminded us that this fashion game is art. A form of expression. Something that Pam Hogg does extremely well - expressionism. However extreme.
The collection is dark, stormy and overtly sexy. She’s holding nothing back.
Models had everything on show with mesh body suits appliquéd with stars and a stripe to cover what can barely be left to the imagination.
Did you catch The Brit Awards? Then you would have seen Hogg’s iconic model Sadie Pinn shock the audience with an impromptu appearance. Skimpy. Bold. Statement. It’s all about the shock factor.
Pam Hogg does punk, yet still throws a spanner in the mix once in a while. This time, with umbrella skirts and splashes of red, yellow and acid green. The living dolls she creates allow for total fantasy dressing. Floor length gold dress or skin tight black mesh? It’s your call.
It’s this feminine celebration of androgyny that Hogg has become known for, and each year the crowd gets bigger. What can she possibly do next? Perhaps dainty pink dresses and ballerina flats? That would throw everyone off… Pam Hogg gone pretty? Yeah, probably not.