What else would we expect? Pam Hogg’s AW16 collection pushed the boundaries even more - yes, it was possible - with a sexualised storm of attitude at Freemasons Hall during London Fashion Week.
Sky high platforms, of course, accompanied models clad in skin tight PVC catsuits as they strutted down the catwalk, covered in weapon like studs and spikes. Stars made their cameo once more, and splattered paint prints reminded us that this fashion game is art. A form of expression. Something that Pam Hogg does extremely well - expressionism. However extreme.
The collection is dark, stormy and overtly sexy. She’s holding nothing back.
Models had everything on show with mesh body suits appliquéd with stars and a stripe to cover what can barely be left to the imagination.
Did you catch The Brit Awards? Then you would have seen Hogg’s iconic model Sadie Pinn shock the audience with an impromptu appearance. Skimpy. Bold. Statement. It’s all about the shock factor.
Pam Hogg does punk, yet still throws a spanner in the mix once in a while. This time, with umbrella skirts and splashes of red, yellow and acid green. The living dolls she creates allow for total fantasy dressing. Floor length gold dress or skin tight black mesh? It’s your call.
It’s this feminine celebration of androgyny that Hogg has become known for, and each year the crowd gets bigger. What can she possibly do next? Perhaps dainty pink dresses and ballerina flats? That would throw everyone off… Pam Hogg gone pretty? Yeah, probably not.
Written By Vicki Chagger