Animal print, pinstripe, and camel tones are apparently here to stay, as Edward Crutchley’s collection told us so.
We are looking at another season of animal print, come Autumn/Winter this year.
Edward Crutchley is supposedly serving up business wear with a bite, which is undeniably true after what we witnessed on Saturday.
Velvet harem pants, satin robes, pinstripe co-ords, camel knitwear, satin animal print were among the array of variety within his pieces that he showcased. Edward took us on a wild safari, while also managing to take us back in time to the 80s. Which is evident, as he is said to have channelled the magnificent Grace Jones from the 1985 film A View to a Kill. Signature roomy silhouettes have been slimmed down in homage to the no-nonsense tailoring of the mid-1980s, Japanese and American ready to wear. The attitude he was was trying to convey came through effortlessly, uber cool, sartorial, power dressing.
Slate coloured grey fabric, with Wall street pinstripe, matched with Lurex fil coupe chiffon open collar shirt, and finished with fur slippers, and in some cases high gloss patent stilettos, and for the males high shine loafers, all supplied by Christian Louboutin.
Although oversized was a resounding element in this collection, one look that stood out was; the black satin robe which was worn on top of a provocative shortline black satin bustier, complete with velvet tribal print harem pants. The colour palette used was muted but consistent, we saw greys, blacks, browns, greens and white paint the catwalk.
The accessories used were very avant-garde, with Stephen Jones designing the Balinese head wrap, a riff on a Korean gat, sunglasses provided by eyewear brand Wires, soft swakara pillow box hats, and a septum to ear chain piercing, to name a few. But each complimenting the ensemble they were assigned to.
The undeniably show stopping piece though, had to be the deconstructed snakeskin cashmere cape, with a fur finished motif of a large secretary bird attacking a snake adorned on both shoulders. White mink, grey swakara and silver metalised fox from Kopenhagen fur were carefully pieced together to complete this opulent piece.
This collection is sheer brilliance, a real sense of drama and bravado, with a tinge of humour. Edward really shows a sense of himself in this collection, with the suited models feet donned with animal slippers as they sashayed down the catwalk for the finale.
It’s a New Year, and although it was a Saturday, Edward Crutchley took us back to business!
CV22 Rugby is an exciting new menswear brand, recently showcasing there ready to wear collection at London Fashion Week Men’s. Unapologetically masculine and sustainable this label is not to be missed, it’s recent collection PROTOTYPE is inspired by the small market town of Rugby in the centre of England and is bursting with British culture and heritage.
Drawing on historical concepts from the sport of Rugby and merging them with a new contemporary style this collection reflects today’s fashion and environmentally conscious gentleman. CV22 is proudly sustainable and ethical using raw Supima cotton, the garments are also produced in England using fine fabrics such as Jersey, Loopback, and Pique which are spun just outside the city of Manchester.
A natural colour pallet can be seen throughout the collection, perfect wear for this Summer with Navy, off-white and cream tones. The collection also included Polo shirts and cashmere sweaters with CV22 branding. Linen blazers, shorts, and shirts were consistent throughout finishing with Japanese Denim jeans.
This season's looks are influenced by sports uniforms and playing kit adapting different historical themes of masculinity and creating a refreshing new look of today. What makes this label unique is its passion for Rugby that flows through the brand. The name, CV22, is the towns postcode and used local rugby players as models for this seasons installation. Mixing fashion and sport in a new and exciting way of creating a line for the traditional confident gentleman of today.